非池中線上藝廊

以植物與室內空間構築出如溫室般的場域，隱喻當代人在現實壓力下所依附的舒適圈。結合園藝治療中「被呵護」與「自我修復」的概念，描繪人在安穩環境中的心理暫留，以及對外部世界既嚮往又逃避的矛盾狀態。畫面中的植物、門窗與空間彼此交錯，形成介於現實與幻想之間的場景，而大量延伸、纏繞的線條，則如同情緒與意識流動的軌跡，藉由鏡面反射牽引觀者進入一場無聲且詩意的白日夢，這些線條不僅象徵內在情感的拉扯，也暗示人對熟悉環境的依戀，以及離開舒適圈時的不安與漂泊感。

My work constructs greenhouse-like interior environments composed of plants and domestic spaces, using them as metaphors for the comfort zones upon which contemporary individuals increasingly depend amid the pressures of modern life. Drawing on the concepts of nurturing and self-healing found in horticultural therapy, these paintings explore the psychological refuge offered by secure environments while revealing the contradictory desire to both embrace and evade the outside world.Within these imagined spaces, plants, windows, doors, and architectural elements intertwine to create scenes that exist somewhere between reality and fantasy. Expansive, interwoven lines flow throughout the compositions like the traces of emotion and consciousness. Reflected through mirrored surfaces, they invite viewers into a silent, poetic daydream. These lines not only symbolize the tension of inner emotions but also suggest our attachment to familiar surroundings and the uncertainty and sense of displacement that accompany stepping beyond the boundaries of comfort.

Keywords：唐珮芸　 虛構窗景

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Style：自然主義