非池中線上藝廊

運費：NT$ 400

( ↑ series ) (16幅繪畫裝置作品之一)

Canvas, multimedia, acrylic, sand, resin 12F 1995/96

原始主義的倡議充滿著理想主義，有意識地復甦自然大地的精神。在此作品企圖回歸樸實的精神創作，藉此重新檢視世間的人事物，返璞歸真亦是一種新的解脫。作品使用土壤將黏合整體畫面，描繪蛇追逐著發亮的蘋果，彷彿像將它們封印在大地岩石中。暗喻著無論是繁花似錦或殘枝敗柳，最後還是塵歸塵、土歸土。大自然最終會包容涵蓋所有事物，這是宇宙間萬物走向熵的過程。

Primitivism's advocacy is filled with idealism, consciously reviving the spirit of nature. This work seeks to return to a spirit of simplicity in creation, allowing a reevaluation of people and things in the world. The return to simplicity also becomes a form of new liberation. The work uses soil to bind the entire image, depicting a snake chasing a glowing apple, as if sealing them within the earth and rock. It metaphorically suggests that whether flourishing flowers or withered branches, in the end, everything returns to dust and soil. Nature ultimately embraces and encompasses all things, representing the universal process of entropy to which all things in the cosmos are subject.

Keywords：油畫　複合材料

Subject：動物　

Style：抽象　象徵