黃恭煌
Huang-gong.huang
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關於
我是黃恭煌 , 先後學習過張大千的潑彩 , 趙無極的東方式抽象 , Gerhard richter的無刷式畫法 , 以及Jackson pollock的滴落式畫法 . 近年融合各家畫意 , 運用各種不同的繪畫工具與方法 , 將意識中的覺知 , 以抽象形式轉化為圖像 ; 去描繪可感知 , 但無法以具像呈現的精神世界 .
先有思想而後才有行動 , 心靈意識能感知比這個物質世界更本質的東西 ; 這些感知 , 有些是超脫物質世界的精神現象 .
這些現象 , 有時只是一個難以說明的自發性念頭 .
有時是 , 心中一個久遠的夢想 , 想要建造一棟聳立於天際上的抽象式大樓 .
有時是 , 一個離奇的夢境 .
有時是 , 心中對美好事物的一種想像 .
有時是 , 某一時刻 , 閱讀到一個抽象的概念名詞時 , 當下心中所產生的漣漪 .
有時是 , 偶然間看到大自然令人心醉的絕美風光後 ; 仍殘留於心中 , 如浮光掠影般的印象 .
有時是 ,故地重遊 , 緬懷童年往事 , 觸景產生情緒波動時 , 心間湧現與天地共鳴的一種憂傷情懷 .
有時是 ,不經意間 , 聆聽到一首激昂澎湃歌曲時 , 所產生的情緒 .
有時只是 , 專注於當下某一事物時 , 心中突發的剎那間頓悟體驗 .
他們都是 , 意識感知道的精神現象 , 我將它們以抽象形式表現出來 , 並與眾人分享 .
藝術是某個人心靈對美好事物的直覺感知 , 此種感知因人而異 , 不像物理科學 , 只求唯一的解 .
對我而言 , 創新是對未知領域的探索 , 根源於意識對未知事物的模糊覺知 , 這些意識的覺知 , 有些是超脫於事物之外的體驗 , 因此每當在創新的過程中 , 所發生的事 , 過半在經驗之外 . 我將這些 , 有意識的或直覺的模糊覺知 , 透過行為與工具 , 將它們呈現在畫布上 .
因應環境變遷 , 物種為了適應新的生活環境而改變了生活方式 ; 首先思維升起變化 , 而後行為也跟隨改變 . 藝術也是一樣 , 他們會隨著時代變遷而改變 ; 每當原創性的新思維與新觀念 , 隨著大眾傳播 , 而廣為群眾者所知曉 ; 並逐漸滲透到社會的各個層面與角落 , 在群眾之間的相互影響下, 產生集體潛意識 , 此種意識 , 影響著當下創作者的思維方式 , 於是通常在不經意之間 , 創作者在相同的情境下各自創作 ; 將這些原創性的新思維與新觀念 , 擴展到無限的可能 , 從而發展出了新的藝術型態 , 成為當代風格
I am Huang Gonghuang. I have successively studied Zhang Daqian’s splash-ink painting, Zao Wou-Ki’s Eastern-style abstraction, Gerhard Richter’s brushless painting technique, and Jackson Pollock’s drip painting method. In recent years, I have integrated the painting styles of these masters, utilizing various painting tools and methods to transform the awareness in my consciousness into images in an abstract form; to depict a spiritual world that can be perceived but not presented figuratively.
Thought precedes action, and the consciousness of the mind can perceive things more essential than this material world; some of these perceptions are spiritual phenomena that transcend the material world.
Sometimes, these phenomena are just an inexplicable spontaneous thought. Sometimes, it is a long-held dream in the heart, wanting to build an abstract skyscraper reaching into the heavens. Sometimes, it is a bizarre dream. Sometimes, it is an imagination of beautiful things in the heart. Sometimes, it is the ripples in the heart when reading an abstract concept at a certain moment. Sometimes, it is the lingering impression in the heart after seeing the breathtaking beauty of nature; like a fleeting glimpse of light and shadow. Sometimes, it is the surge of emotions when revisiting an old place, reminiscing about childhood memories, and feeling emotionally moved by the scenery. Sometimes, it is the emotion generated unintentionally when listening to an uplifting and powerful song. Sometimes, it is just the sudden enlightenment experienced when focusing on something at the moment.
They are all spiritual phenomena perceived by consciousness, which I express in abstract forms and share with everyone.
Art is the intuitive perception of beautiful things by an individual’s soul, and this perception varies from person to person, unlike physical science, which seeks only one solution.
For me, innovation is an exploration of the unknown, rooted in the vague awareness of the unknown by consciousness. Some of these conscious perceptions are experiences that transcend things, so more than half of what happens during the process of innovation is beyond experience. I present these conscious or intuitive vague perceptions on the canvas through behavior and tools.
In response to environmental changes, species have changed their way of life to adapt to new living environments; first, the mind changes, and then behavior follows. Art is the same; it changes with the times. Whenever original new thinking and concepts are widely known to the masses through mass communication and gradually permeate every aspect and corner of society, they generate a collective subconscious among the people. This consciousness influences the thinking of contemporary creators, who often unconsciously create in the same context; expanding these original new thoughts and concepts to infinite possibilities, thus developing new artistic forms and becoming the contemporary style.