非池中線上藝廊

卓銘順，1968年出生於臺灣新北市鶯歌區，2009年畢業於國立臺灣藝術大學工藝設計學系，獲藝術碩士學位。自幼成長於陶瓷重鎮，長期浸染於陶藝文化之中，1995年成立個人陶藝工作室，迄今專職創作已逾三十年，並於2022年獲邀成為聯合國教科文組織國際陶藝學會（IAC）會員。

其創作以陶土為核心媒材，擅長運用手工陶板成形技法，發展出兼具雕塑美感與實用功能的獨特語彙。作品聚焦於「互動性」與「情感」的生成，強調器物在使用過程中的觸摸、經驗積累與時間沉澱，不僅能逐步建立人與物之間的情感連結，更能進一步延伸至人際關係的共感與交流。作品造型常流露有機生成的韻律，融合哲學思辨與精緻工藝，展現細膩且充滿生命感的當代陶藝語境。

創作生涯中屢獲國內外重要獎項肯定，包括2007年鶯歌陶瓷博物館「台北陶藝獎」首獎、2012與2014年「台灣金壺獎」金獎、2016年獲頒該獎項永久免審查獎，以及2021年韓國國際陶藝雙年展金獎等殊榮。作品廣獲國內外重要機構典藏，如新北市立鶯歌陶瓷博物館、國立臺灣工藝研究發展中心及韓國京畿陶瓷美術館等。

展覽足跡遍及臺灣、中國、日本、韓國與歐洲等地，多次受邀參與國際交流展，並舉辦多次個展。其創作脈絡橫跨自然觀察、身體經驗與哲學思考，持續探尋陶藝在當代語境中的多元可能。

除專注創作外，卓銘順亦長期投入教學推廣、講座分享與國際交流活動，並多次受邀擔任國內重要陶藝競賽與展覽評審，積極參與陶藝文化的傳承與推動。

在當代快速變動的生活節奏中，卓銘順透過陶藝持續回應「情感」與「人性」的核心命題。對他而言，作品不僅是形式的構築，更是連結身體感知、器物精神與人際關係的媒介，進而展開一場關於存在意義、感官知覺與生命連結的深層對話。

Cho Ming-Shun | Biography

Cho Ming-Shun was born in 1968 in Yingge, New Taipei City, Taiwan. He received his Master of Fine Arts degree from the Department of Crafts and Design at National Taiwan University of Arts in 2009. Raised in one of Taiwan’s most important ceramic centers, he has been deeply immersed in ceramic culture since childhood. In 1995, he established his own studio and has since devoted over three decades to full-time ceramic practice. In 2022, he was invited to become a member of the International Academy of Ceramics (IAC) under UNESCO.

Working primarily with clay, Cho specializes in hand-built slab construction, through which he has developed a distinctive artistic language that integrates sculptural aesthetics with functional form. His work focuses on the generation of “interactivity” and “emotion,” emphasizing how touch, accumulated experience, and the passage of time in the use of objects foster an emotional bond between people and objects. This relationship further extends into empathy and connection among individuals. His forms often reveal an organic rhythm of growth, combining philosophical inquiry with refined craftsmanship to express a subtle yet vital contemporary ceramic language.

Throughout his career, Cho has received numerous prestigious awards both in Taiwan and internationally. These include the First Prize at the Taipei Ceramics Awards (Yingge Ceramics Museum) in 2007, Gold Awards at the Taiwan Golden Teapot Awards in 2012 and 2014, the Permanent Jury Exemption Award in 2016, and the Gold Award at the Korea International Ceramic Biennale in 2021. His works are widely collected by major institutions, including the New Taipei City Yingge Ceramics Museum, the National Taiwan Craft Research and Development Institute, and the Gyeonggi Museum of Ceramic Art in Korea.

Cho’s exhibitions have been presented across Taiwan, China, Japan, Korea, and Europe. He has participated in numerous international invitational exhibitions and held multiple solo exhibitions. His artistic practice spans natural observation, bodily experience, and philosophical reflection, continually exploring the diverse possibilities of ceramics within a contemporary context.

In addition to his studio practice, Cho has long been engaged in teaching, public lectures, and international exchange. He has also been invited to serve as a juror for major ceramic competitions and exhibitions, actively contributing to the promotion and development of ceramic culture.

Amid the fast-changing pace of contemporary life, Cho’s work continues to engage with the essential themes of “emotion” and “humanity.” For him, ceramics is not merely the construction of form, but a medium that connects bodily perception, the spirit of objects, and human relationships—unfolding an ongoing dialogue on the meaning of existence, sensory experience, and the interconnectedness of life.