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運費:NT$ 400
? & ↑ (16幅繪畫裝置作品之一)
Canvas, oil paints, 12F 1995/96
鏡子前面的維納斯展現維納斯優雅自在的姿態,然而邱比特扶持的鏡中映像卻不是自戀美麗的維納斯,反而是齜牙咧嘴的毒蛇,威嚇誘惑著維納斯,抑是兩者相生相剋的關係。在數位時代,數位生活即是人類新生活、新關係,但也是保持警惕的時代。數位時代,自戀與鏡像是如影隨行,演算法反映出來的不單純是自身的鏡像,更可能被加註另一個維度他者的慾望。
The Venus before the mirror displays her graceful and relaxed posture, yet the reflection supported by Cupid is not the narcissistic and beautiful Venus. Instead, it is a snarling serpent, threatening and tempting Venus. This suggests a relationship of mutual opposition and co-dependence. In the digital age, digital life represents a new way of living and forming relationships for humanity, but it is also a time to remain vigilant. In the digital era, narcissism and reflections are ever-present. The algorithms reflect not only a simple mirror image of oneself but also impose another dimension of desire from the other.
Keywords:油畫
Subject:人物
Style:具象