非池中線上藝廊

運費：NT$ 300

《留處》為《餘白計劃／The Margins of Light Project》系列之一，聚焦於「#餘白」作為視覺與心靈空間的雙重語彙。

這是一幅關於「安置」的作品——但這份安置，並非被擱置或遺忘，而是被溫柔地保存。

畫面中，懸崖與海洋之間存在一道視覺的斷裂，象徵情感中的縫隙與距離。而那片空曠的天空與飛行中的鳥，則讓人意識到：空間本身，也可以成為情緒的容器。整體構圖刻意簡化細節，保留大量留白與沉靜，讓觀者在這幅畫中找到屬於自己的「停留處」——也許是某段記憶未散，也許是某種思念仍然盤旋未去。

「留處」不是一個故事的現場，而是一間情感的等候室；它不要求你前往，也不推動你離開。它是一種靜止的狀態、一種尚未發生的出發，一個可以被攜帶的內在空間。

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The Held Place is part of The White Space Project, a series that explores the visual and emotional potential of emptiness.

This piece reflects the idea of being placed—not discarded or left behind, but gently preserved.

In the composition, a visual fracture separates the cliff and the sea, evoking a quiet distance, an emotional divide. The vast, open sky and a solitary bird suggest that space itself can be a vessel for feeling. Rather than focus on landscape details, the painting embraces stillness and blankness, inviting the viewer to find their own place within it—perhaps a shoreline where memory lingers, or a space where longing quietly remains.

This is not a scene of events, but a waiting room for emotion.

A psychological shore, poised between holding on and letting go.

The Held Place is not a destination. It is presence—soft, patient, and always just enough.

Keywords：戴韻琪　七毛藝術　Daiyunchi　大新美術館　青年藝術家　油畫

Subject：山　線條　音樂　樹　蔬果　鳥　海　星星　船　河流　風景　魚　城市街景　田園鄉村　楓葉　花草　圖騰　文化　動物　靜物　

Style：印象　自然主義　速寫　觀念　裝飾　象徵　塗鴉　表現主義　寫實　插畫　具象　新表現　超現實　未來　立體　野獸派　天空　月　海灘　窗　彩虹　湖　橋　日本　法國　酒　瀑布　巷弄　夜色　夕陽　葉子　草原　水