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運費:NT$ 800
「真正的遙望,不只是走向遠方,而是在每一次注視裡,找到對自我、對無限的渴望。」
《遙望之間》透過車窗框景,重新定義了觀看與存在的關係。窗內外的界線既清晰又模糊,列車前行中風景流動,而凝視卻凝固了時間。遠方雪峰與近處林木交錯,如同記憶深處的重疊,既遙遠又真實。
觀看不僅是感知,更是行動。當我們凝望自然,自然也回望我們,外在風景成了內心的鏡像,映現出對時間、距離與永恆的渴望。流動的光影猶如思緒閃爍,山川的恆常如記憶的寧靜。地平線不再是終點,而是永恆的召喚,提醒著在有限生命裡擁抱無限希望與美好。
這幅作品希望展現出存在主義的溫暖:「在有限中選擇美好,在日常中發現詩意。它邀請每個人踏上心靈的歸航之旅,在觀看中找到自我,讓風景成為前行的力量。」
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"True longing is not just about reaching the distant horizon, but finding a desire for the self and the infinite in every gaze."
Between the Gaze redefines the relationship between observation and existence through the window frame of a moving train. The boundary between the inside and outside is both clear and blurred; as the train moves forward, the landscape flows, yet the act of gazing freezes time. The distant snow-capped peaks and the nearby trees intertwine, like the overlap of memories, both distant and real.
To observe is not only to perceive, but to act. When we gaze upon nature, nature also gazes back at us. The external landscape becomes a mirror of the inner self, reflecting our longing for time, distance, and eternity. The flowing light and shadow flicker like fleeting thoughts, while the constancy of the mountains mirrors the quietude of memory. The horizon is no longer the end, but an eternal call, reminding us to embrace infinite hope and beauty within our finite lives.
This piece seeks to convey the warmth of existentialism: "Choosing beauty within the finite, finding poetry in the everyday." It invites everyone to embark on a journey of spiritual return, to find the self in the act of observing, and to let the landscape become the force that propels us forward.
Keywords:戴韻琪 七毛藝術 Daiyunchi 大新美術館 青年藝術家 油畫
Subject:文字 交通工具 線條 音樂 色塊 樹 船 山 房舍建物 風景 城市街景 田園鄉村 楓葉 花草 圖騰 文化 靜物
Style:印象 觀念 裝飾 象徵 表現主義 寫實 具象 超現實 未來 立體 野獸派 自然主義 新表現 天空 窗 彩虹 橋 法國 巷弄 夜色 夕陽 葉子 草原 水


